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She presses her hands still closer against her eyes, as though to shut out from her own mind the hatefulness of such a thought. And then, with a fresh effort, she brings herself back once more to the question that lies before her.,

"Answer me," persists Mona, not heeding—nay, scarcely hearing—his last speech. "You said once it would be difficult to lie to me. Do you know anything of this missing will?",

"Yes; it was of them I thought," he says, turning his head away,—"of the—lovers. I wonder if their evening was as lovely as ours?",

The shadows close them in on every side. Only the firelight illumines the room, casting its most brilliant and ruddy rays upon its central figures, until they look like beings conjured up from the olden times, as they flit to and fro in the slow mysterious mazes of the dance.

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"She is all your fancy could possibly paint her; she is lovely and divine. Don't try to analyze her charms, my dear Geoff. She is just the prettiest and sweetest woman I ever met. She is young, in the 'very May morn of delight,' yet there is nothing of that horrid shyness—that mauvaise honte—about her that, as a rule, belongs to the 'freshness of morning.' Her laugh is so sweet, so full of enjoyment.",

She understands, indeed, that Sir Launcelot was a very naughty young man, who should not have been received in respectable houses,—especially as he had no money to speak of,—and that Sir Modred and Sir Gawain, had they lived in this critical age, would undoubtedly have been pronounced bad form and expelled from decent clubs. And, knowing this much, she takes it for granted that the stealing of a will or more would be quite in their line: hence her speech.,

"The first sound in the song of love,

"I am not a musician," she goes on, evenly, "but some people admire my singing very much. In Dublin they liked to hear me, when I was with Aunt Anastasia; and you know a Dublin audience is very critical."